This week and its lessons

So I guess I really only decided to pur­sue a career as an artist pretty recently. I’ve been study­ing polit­i­cal sci­ence for four years, writ­ing papers elec­toral pat­terns and vot­ing behav­ior the like, and as fed up with that as I’ve been for the past cou­ple years, it wasn’t really until I went to the Whit­ney Bien­niel in March that it became so totally clear to me. So since then, I’ve been so focused on get­ting to New York that it didn’t even fuck­ing dawn on me that there is a lot hap­pen­ing here in DC and that I should be get­ting involved with it. Maybe because it’s that I’m so revolted with pol­i­tics and work­ing in pol­i­tics and think­ing about pol­i­tics that I felt that DC no longer had any­thing to offer me. But that’s pretty dumb.

So last week­end I went to the open­ing of “Punk Love,” Susie Horgan’s show of pho­tographs from the birth of the DC punk scene. I wouldn’t have even known about it (which is crazy) if my friend Aley hadn’t told me she wanted to go when she came to visit from Kansas. So how ridicu­lous is it that it took some­one com­ing into town from Wichita to get me out to a gallery open­ing? Any­way, the work was amaz­ing and the open­ing was just about as fun as it pos­si­bly could have been. All of Fugazi was in atten­dance as was Henry Rollins and all the folks from Dischord and all of that.

Then, Sat­ur­day night, we went to Anto­nia Tri­carico and Lely Con­stan­tino­ple’s dou­ble open­ing at Trans­former. It was packed since it’s a tiny space, and the Dischord crew was there again and it was as much as fun as Punk Love. I finally met Cyn­thia Con­nely, whose show also at Trans­former had quite an impact on me in April ’05, and she had seen the pho­to­graph I had taken of the open­ing (the only other DC open­ing I’d ever attended) that ran in the Wash­ing­ton Post Mag­a­zine. Ok, so any­way, she was hand­ing our post­cards for a new show of her own, which opened this past Fri­day at the Arling­ton Arts Cen­ter.

I love Cynthia’s work and went to her open­ing two days ago. She has 15 images of road­side arrow signs hang­ing there, with their titles pressed right on top of the image in red block let­ters (I wrote an exten­sive review of Cynthia’s ’05 Trans­former show where I talked about her inven­tive and charm­ing ways of pre­sent­ing her work) and she had chairs set up to kind of hang out. Her open­ing was either part of are going on at the same time as a larger one, but her lit­tle gallery was the only one that had the feel of like, a fam­ily reunion or some­thing. And I met Anto­nia, who rec­og­nized me from the other two open­ings the week before. She invtied me to yet another open­ing at the Cor­co­ran on the 22nd.

So. All of this is really to say that there is a small and lively com­mu­nity of very tal­ented pho­tog­ra­phers here in town, and I’ve been kind of a moron to get involved. All I have to do is go, and I haven’t been! At a party Sat­ur­day night, I ran into an artist who I know from my short stit at the Cor­co­ran a cou­ple of years ago who told me about her involve­ment in the WPA/​C anony­mous show that’s com­ing up. I’ve lived here for four years and I’m still not even a mem­ber of WPA/​C! I’ve never been to Artomatic. I’ve missed huge shows that have come through the National Gallery and the Phillips Col­lec­tion. I’ve been to Trans­former twice. I almost never go to the Cor­co­ran. When I go to New York, I do and see every­thing I pos­si­bly can, from like Reena Spaul­ings to MoMA and in my own fuck­ing town I’m totally detached. I mean, I’m more con­nected to the art scene in Houston.

So that’s ridicu­lous. I’m going to live here for like a less than six more months, so I have to get moving.