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	<title>Comments on: Grad School Part 1</title>
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		<title>By: greg</title>
		<link>http://gregwasserstrom.com/blog/archives/43/comment-page-1#comment-20</link>
		<dc:creator>greg</dc:creator>
		<pubDate>Mon, 15 Jan 2007 23:13:36 +0000</pubDate>
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		<description>A warning from a man who certainly knows photography by way of a woman who certainly knows danger. Thank you for sharing this article, and thanks for reading the blog.</description>
		<content:encoded><![CDATA[<p>A warning from a man who certainly knows photography by way of a woman who certainly knows danger. Thank you for sharing this article, and thanks for reading the blog.</p>
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		<title>By: Lisa Gioconda Saint Aubin de Terán</title>
		<link>http://gregwasserstrom.com/blog/archives/43/comment-page-1#comment-18</link>
		<dc:creator>Lisa Gioconda Saint Aubin de Terán</dc:creator>
		<pubDate>Mon, 15 Jan 2007 20:10:13 +0000</pubDate>
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		<description>&quot;Now you go to schools like Yale and — [the students] would deny it, but they’re lying — their real ambition is to be stars in the gallery system. And I wouldn’t want those young people to know this, but there is actually a substantial market for new people doing something that might look flashy for a moment, because of the fact that there are, you know, a million new billionaires in this country, and they or their wives want to be on the boards of museums. And you can’t collect Jasper Johns anymore. I mean, forget collecting Matisse or Picasso. You can’t collect Rauschenberg or those people — all the good stuff is already in captivity! So you’ve got to find a new guy.&quot; - LA Weekly - TALKING PICTURES John Szarkowski on the good, the bad and the flat in American photography, BY HOLLY MYERS AND TOM CHRISTIE, Wednesday, December 6, 2006</description>
		<content:encoded><![CDATA[<p>&#8220;Now you go to schools like Yale and — [the students] would deny it, but they’re lying — their real ambition is to be stars in the gallery system. And I wouldn’t want those young people to know this, but there is actually a substantial market for new people doing something that might look flashy for a moment, because of the fact that there are, you know, a million new billionaires in this country, and they or their wives want to be on the boards of museums. And you can’t collect Jasper Johns anymore. I mean, forget collecting Matisse or Picasso. You can’t collect Rauschenberg or those people — all the good stuff is already in captivity! So you’ve got to find a new guy.&#8221; &#8211; LA Weekly &#8211; TALKING PICTURES John Szarkowski on the good, the bad and the flat in American photography, BY HOLLY MYERS AND TOM CHRISTIE, Wednesday, December 6, 2006</p>
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